50 juicy details you didn’t know about ‘The Devil Wears Prada’
"Can you please spell Gabbana?"
It’s been 11 years since the premiere of The Devil Wears Prada and fans are still finding opportunities to recite the iconic quotes any chance they get. (“Florals? For spring? Groundbreaking.”) But do you know what went into the iconic movie?
For starters, it’s positively delightful that all-round badass Meryl Streep refused to accept the role until the producers doubled their offer. “The offer was to my mind slightly, if not insulting, not perhaps reflective of my actual value to the project,” said Streep. “There was my ‘goodbye moment,’ and then they doubled the offer. I was 55, and I had just learned, at a very late date, how to deal on my own behalf.”
The wardrobe budget was $1 million, and even though Meryl could have kept the one-of-a-kind designer garments that were created for her, she chose to donate the whole thing to charity.
Want more? We thought so. Here are 50 fun facts you never knew about the making of one of the most iconic fashion films of all time.
That is all.
50 juicy details about The Devil Wears Prada
Before the book even hit the shelves in 2003, many studios were fighting over the rights to turn it into a film. They only had 100 pages to go off of, but were confident in the book's premise. Fox's former president, Carla Hacken, told Variety, "I was the first person to read it at Fox 2000. I thought Miranda Priestly was one of the greatest villains ever. I remember we aggressively went in and scooped it up."
The movie is based on a book written by Lauren Weisberger, the former assistant to the editor-in-chief of Vogue, Anna Wintour.
"It seemed undirectable to me," said Frankel. "It was a satire rather than a love story."
At first, they tried to adapt the film straight from the book, going through four writers trying to do so. Then they realized they needed to manipulate the story for film. "If you study the book," said Carla Hacken, "There is not a strong narrative that propels the plot forward. That required quite a bit of invention and trial and error. And since there wasn't a strong third act in the book, we needed to invent that."
She was mentioned in the book for giving Miranda a Christmas present.
Rather than emulate the theme of the book, the writers decided that the film's theme would be about everything women needed to forfeit in order to achieve success at a fashion magazine.
However, after the book was published, they started over in order incorporate key details they missed.
Lennon had to turn down the role due to conflicts with filming Reno 911.
"Miranda was a witch, and Andy's motivation was to get her revenge," said Frankel. "There was a lot of conflict that ended with Miranda being humiliated. I felt that wasn't satisfying. My view was that we should be grateful for excellence. Why do the excellent people have to be nice?"
The crew went through hundreds of twins before they found the right pair for the roles.
The production team apparently felt she wasn't fit to play the part.
For months, the team struggled to find an actor fit to play Nigel. At the very last minute, they came across Tucci. He was on set playing Nigel only seventy-two hours after his audition.
They dreamed of having Meryl Streep, but didn't think it would actually happen. "We had talked about Meryl a little bit, but I dare not allow myself to dream," said writer, Aline Brosh McKenna.
Emily was in Los Angeles auditioning for Eragon when Prada auditions were taking place. At the last minute, her agent put her on a tape for Prada. She flew home thinking all of her auditions were unsuccessful. But Frankel loved her, and called her house to offer her the part. Her mom picked up and said she was out at a bar (she was upset about the audition). "I was in some dive club in London," Blunt said. "I called him back from the bathroom. He said, 'Listen I would have cast you off the tape, but the studio wants to see you one more time. Can you do what you did but dress the part more?'"
The crew decided that Lewis wasn't quite right for the role.
Prior to The Devil Wears Prada, Anne starred in Ella Enchanted and The Princess Diaries. This role helped to shift the direction of her career.
Sykes is now a writer and was a former assistant to Anna Wintour.
Anne felt that she need real experience as an assistant to get into character. She volunteered at an auction house.
Following her major success in The Notebook and Mean Girls, the team pushed hard for McAdams. She turned them down, saying that she wanted to take a break from mainstream material.
In Ella Enchanted and The Princess Diaries, Anne's best friend's character was also named Lily.
Right after her meeting with the Executive Vice President of Fox, Anne wrote the words in the sand of a zen garden to express her passion for the role.
Remember the montage of Miranda slamming her coats down on Andy's desk? "It was a hard day for Meryl," Blunt recalls. "There were probably 30 takes where either her arm got stuck or the coat didn't hit the desk at the right time. That was one of the funniest things I'd ever seen."
"The offer was to my mind slightly, if not insulting, not perhaps reflective of my actual value to the project," said Streep. "There was my 'goodbye moment,' and then they doubled the offer. I was 55, and I had just learned, at a very late date, how to deal on my own behalf."
Ultimately, the townhouse that was used as Miranda's home belonged to a friend of the producer.
While Anne Hathaway and Simon Baker flew out to Paris, Fox thought it would be too expensive to fly Streep out. Instead, her "Paris" scenes were filmed in the U.S.
Patricia Field designed all the outfits and all the pieces came from major designers.
"She was living with a guy who was a felon and embezzler. He didn't want her to be working at all; he hated that she worked night," said Frankel. "She was always fragile when we shot late."
In a moment of true desperation, the directors and producers sent Fox a sizzle reel to convince them to fund the trip. Thankfully, it was met with a positive response, and they were able to fly to Paris.
This cover of Runway was based off of Vogue's August 2004 issue that featured Priscilla Presley, Lisa Marie Presley, and Riley Keough.
The front of the Elias-Clarke building (the home of the magazine in the film) was filmed at the McGraw-Hill building in Manhattan.
In the last scene, Andy receives a call from Miranda. However, if you look closely at the phone, you'll see that the call on the screen is actually outgoing rather than incoming.
"I think we all had an idea of what Miranda would sound like," Hathaway said. "It was a strident, bossy, barking voice. So when Meryl opened her mouth and basically whispered, everybody in the room drew a collective gasp. It was so unexpected and brilliant."
Given their very tight budget, the production team couldn't get permission to film at the MoMa or Bryant Park, which were integral locations to the script.
"The voice I got from Clint Eastwood," Streep said. "He never, ever, ever raises his voice and everyone has to lean in to listen, and he is automatically the most powerful person in the room. But he is not funny. That I stole from Mike Nichols. The way the cruelest cutting remark, if it is delivered with a tiny self-amused curlicue of irony, is the most effective instruction, the most memorable correction, because everyone laughs, even the target. The walk, I'm afraid, is mine."
Gisele would act in the film as long as her character was not a model. The crew went through hundreds of twins before they found the right pair for the roles.
While the characters wore pieces from many other designers in the film, Valentino was the only one with a cameo. Some speculate that Anna Wintour threatened to ban any designers who made an appearance from being featured in the pages of Vogue.
Streep's daughter, Mamie Gummer, played a Starbucks barista in a scene that was eventually cut.
"Everybody has a story like this," she said, referring to her character's experience with her boss.
Streep feared that close relationships with her co-stars would jeopardize the icy rapports she hoped to maintain between Miranda and the other characters. On the first day of filming, she said to Anne, "I think you're perfect for the role. I'm so happy we're going to be working together. That's the last nice thing I'll say to you."
Miranda's high-end outfits were worth a hefty sum, which Streep chose to donate instead of keeping for herself.
Before fans traveled to Paris, Milan, and New York, fashion week was generally limited to members of the fashion industry. Some credit Prada for the newfound obsession.
"I never had any idea that my lines would get quoted to me every single week of my life since the movie has come out," she said.
The film's budget was 41 million and it went on to earn 326 million in box office sales.
Emily Blunt went to the same coffee shop every morning without being recognized. The Devil Wears Prada completely changed that. "The day the movie came out," Blunt said, "all the people in the bakery suddenly knew who I was. It was surreal."
She made a slight, but profound edit to the last line. She switched it from, "Everybody wants to be me" to "Everybody wants to be us."
THE CAST BECAME (AND STILL IS) EXTREMELY CLOSE
"Ten years after The Devil Wears Prada, Stanley is in my actual family," said Blunt. "How frightening is that? He's married to my sister. All thanks to The Devil Wears Prada." Blunt invited Stanley to her wedding after becoming close friends on the movie and the rest is history.
The Devil Wears Prada ended up doing better than Superman at the box office.
While there is a second book, some members of the cast don't support the idea of a second film. "I'm not sure if could is the right question," Hathaway said. "Should there be? I'd love to make a movie with all the people again that's something totally different. But I think that one might have just hit the right note. It's good to leave it as it is."
People apparently would pay large sums of money to get their hands on a piece of the film. This prop went for $586 and the proceeds went to charity.
The challenges the team faced on a daily basis filming the movie further enforced their fears. "For a lot of us, it was our first big thing," Frankel said of the film's struggles. "We knew we were on very thin ice. It was possible this could be the end of the road for us."
Image courtesy: Facebook
From: ELLE UK