Ever wondered what happens to the hero’s best friend—the one usually played by an actor whose name you can’t quite recall? Writer-director Hardik Mehta did, and he decided to shine the spotlight on these pivotal-yet-fringe artistes with his debut feature film, Kaamyaab.
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“I discovered that every big film director either has or has had a favourite character actor. Mahesh Bhatt has Avtar Gill, Abbas-Mustan have Johnny Lever, and Guru Dutt had Johnny Walker. Sometimes they would appear as a stereotype, other times to add humour, and most times as a catalyst in the story,” he says. Kaamyaab, which premiered at Busan International Film Festival last month, follows the life of a character actor (portrayed by Sanjay Mishra) who decides to come out of retirement in order to bag his 500th role—the one he hopes will finally make him memorable.
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Sanjay Mishra (right) playing sidekick to main dacoit
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Sanjay Mishra and Deepak Dobriyal in a still from Kaamyaab
Mining the life of the Everyman for his stories has always been integral to Mehta, who grew up in middle-class Baroda, “on a heavy diet of typical Hindi movies” and started out as a dairy engineer at Amul in Surat. Eventually, he quit to pursue his Bollywood dream, securing a communications degree from Jamia Millia Islamia, New Delhi, in 2008, and then moving to Mumbai.
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Mehta on the set of Kaamyaab
Mehta learnt the craft of film-making by working with directors like Vikramaditya Motwane, serving as the script-supervisor and assistant director on Lootera (2013) and Queen (2014) and co-writing Trapped (2016). But he first drew attention for his slice-of-life cinema with his 2015 documentary short, Amdavad Ma Famous. The film captured Gujarat’s kite-flying festival through the eyes of a precocious 11-year old and won Mehta the National Award for Best Non-Feature Film that year, as well as nods at Hot Docs Canadian International Documentary Festival and MAMI Mumbai International Film Festival, in 2016. It was also bought by Netflix.
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Children from Amdavad Ma Famous with Mehta, as he shows them the trailer of the short-film for the first time
“We’d follow the kite runners, share our lunch with them and just capture the madness of the festival,” he says. “And I wanted to hold onto a similar sentiment with Kaamyaab, I wanted to capture as authentic a world as possible.” With early reviews touting the film’s affecting performances and bitter humour, it looks like he more than succeeded.
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Mehta on the set of Kaamyaab
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