It’s her gift for humanising complex (Haider, 2014), eccentric (Fitoor, 2016), and plain amoral (Andhadhun, 2018) characters—while creating a gallery of vulnerable women for the ages—that has earned Tabu a secure spot in the realm of the greats. Which other actor can alternate seamlessly between iconic literary characters (Lady Macbeth, Miss Havisham) and nutty stereotypes in a David Dhawan or Rohit Shetty film? Or blend so easily in both an Ang Lee ensemble… Continue reading How Tabu continues to reinvent herself in delightful ways
