ELLE Discovers: These Lemons, Oranges And Flower Heels Are The New Party Drip

Often heard the term, 'this looks too good to eat'? That's precisely what comes to mind when it comes to Mansi S Kachhara's shoes — with fruits and flowers on the heels. Tapping into the soft girl era—these shoes from House of Prisca—sit retty on the convergence between fantasy and function, in the most new-age way you can imagine! Whether you're a health girlie, a brunch lover or just packing some stylish chaos when stepping out around town, the shoes seem to fit right in. They also are like that little page out of Enid Blyton's books—pepppered with wildflowers, lilacs, sunny lemons and tangerines. Spread out your gingham picnic table cloth, snap out the camera and pose... with your heels! Ready to bite into some edible inspiration? 

Kiwi-ing It Real

ELLE: Your heels look like miniature sculptures — when did you first think of turning fruit slices and florals into wearable design? 

ELLE: Why do you think everyday objects like fruits and flowers make such powerful fashion statements?

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MK: Everyday objects are simple, but never boring. They’re the best muse because you see them everywhere. They’re used by everyone. You can get inspired anywhere. They carry stories. Like where you grew up, what your summers smelled like, who you shared your last mango with. When you turn them into fashion, you’re not just wearing a design. You’re wearing a memory, or a mood, or something you can’t quite explain but still feel.
And I like that. It’s a reminder that fashion doesn’t have to be serious. Neither does art. Sometimes it can just be soft, silly, nostalgic, colourful.

ELLE: Which heel design of yours holds a personal memory or emotion?

ELLE: If one of your shoe designs was turned into a dessert, what would it be? Also, what’s the weirdest (or most wonderful) reaction you’ve received from someone seeing your heels?

ELLE: What was the first 'unexpected' heel shape you ever experimented with?

MK: The first unexpected heel shape I ever experimented with was actually the coconut. People usually assume it was one of the slicedfruits, but those were relatively easier. The coconut and mango were a whole different level of chaos. We had to move away from the usual round shape and carve something that looked realistic, held your weight, and didn’t send you flying. The shape had to be perfect and the slope had to be perfect for comfort.
There were moments I thought we had broken the laws of physics. My team definitely thought I was trying to build a sculpture, not a shoe. But somehow it worked. And now the coconut heel exists in the world and doesn’t hurt anyone. I think that counts as a win.

ELLE: How much does nostagia influence your creative aesthetic?

MK: I’m an army kid, so I grew up moving every few years. I think that kind of constant change makes you really observant. You start noticing the little things, and the only things you carry with you when you move are the memories. So while my aesthetic isn’t tied to one city, it’s full of small memories from everywhere. It also comes from seeing a lot of monotony in the industry. As Indians, we’re so colourful with everything else, but when it comes to footwear, we always end up picking muted tones. I wanted to change that. I wanted to bring the fun and colour into the footwear.

ELLE: Walk us through your creative process — do you start with a concept, a sketch, or a material first?

MK: I don’t think I even sketched my first sculpted design. I just knew what I wanted and kept running around trying to find someone who would make it. It came together so fast, it honestly felt like it had been sitting quietly at the back of my brain for years, just waiting for me to notice it. The second I explained it to the artisan, it kind of took off on its own. Like the design was done waiting and said, let’s go!

So, no big mood boards or elaborate planning. Just a stubborn idea that refused to leave me alone until it was real. Then came the concepts, the colours, the collection planning. I weirdly love the last minute chaos. It keeps me mildly panicked.

ELLE: What challenges do you face when translating such delicate or playful forms into something wearable and durable?

ELLE: What are the materials used? Are there any materials you love working with that might surprise people?

MK: Honestly, my favourite material is the wood. It comes in so many types and densities, and there’s always something new to experiment with. Each kind has a different finish once it’s carved, different grains, little indentations and quirks.

I think it’s one of the most beautiful natural materials. It’s inspiring on its own. And then when we carve it into a shape and our artist brings it to life with paint, it turns into something else entirely. It becomes art.

ELLE: Your shoes often feel like a crossover between fashion and art. Do you see them more as accessories or collectible pieces?

ELLE: Why do you think everyday objects like fruits and flowers make such powerful fashion statements?

ELLE: Would you ever consider showcasing your shoes in a gallery space?